Nicole
she/her/hers
This blog is a little of everything and a lot of inconsistency. I am Queen of the Queue and over-tag everything, so don't be afraid to ask me to tag something for you. I am planning a hobbit hole and you should talk to me about your dream house. Also Tamora Pierce. And The Posterchildren. As well as anything that's weighing you down (I am nearly guaranteed to be on your side).
Profile picture courtesy of Raya

 

melodyrae14:

itsraininbritishmen:

floateron:

CHECK OUT your differences in wand technique here and how fluidly and casually Ron throws a curse in comparison to Harry and Hermione Hermione has done the reading and is technically perfect of course Elbow straight; wrist bent Wand tip aligned with left sightline left arm held loosely behind her for balance Harry hasn’t ever done the reading Grip too tight; elbow locked Shoulders raised Left elbow cranked in awkwardly against his body Kids’ll imitate his awful technique and Junior Aurors it’ll make their parents nuts; don’t twist your neck like that I don’t care what Auror Potter does When you save wizardkind you can hold your wand however you want until then drop your shoulders Ron’s been around wand users since birth practiced with twigs and then his brothers’ wands Look at how the movement flows from his center the way he uses his whole body throws out his opposite hand behind him to counterbalance the movement Harry and Hermione get their wands into position and then throw the curse Ron’s spell starts mid-motion because he knows his wand will be in position in time  (helenish)

Mmmmmmm, yes.

There will be a day when I see this and I will scroll past.

Today is not that day

Plus Ron is casting his curse non-verbally. That’s very difficult and it requires training and practice to successfully cast a nonverbal spell. It’s success is determined by the amount of concentration and mental discipline of the witch or wizard. But this is Ron Weasley he likely didn’t put training and practice into casting non-verbal spells, this advanced magic comes to him naturally. The only other time we see him cast a non-verbal spell is when he accidentally made it snow in the great hall, and that was only because Lavender was glaring him down after he said Hermione’s name while he was unconscious in the hospital wing. He felt crappy and his emotions were so intense he unknowingly made it snow. Here he’s trapped in a muggle cafe, with his best friend and the girl he loves. He’s probably scared, and angry but most of all protective. He wants to defeat these Death Eaters without anything happening to his team. His emotions are intense again and that allows him to cast a powerful non-verbal spell. No, not even a spell, a curse. We’ve seen Hermione cast non-verbal spells loads of times but even here she says the curse to ensure it’s potency. Ron is concentrated and disciplined enough in this moment to curse a Death Eater without any words at all.

(Source: harrypottergif)

kateordie:

geekishchic:

This is how you know they’re actually brothers.

This is how you know which one’s a better lover

Joie, I wasn’t going to reblog this until you posted those tags.

(Source: mishasteaparty)

“I’m tough, I’m ambitious, and I know exactly what I want. If that makes me a bitch, okay.” - Favorite female-led/feministic non-romantic comedies (inspired by this x)

(Source: iheart-stonefield)

freshorphresh:

Presenting Horrible Movie Clichés, an illustrated guide, brought to you by the New York International Latino Film Festival.

theblueboxonbakerstreet:

what they did with the ages in the harry potter movies really weirds me out 

  • lily and james died when they were twenty-one. let me say that again. lily and james died when they were twenty-one. the movies made them look like they were in their forties which took away from the tragedy of their really young deaths (I’ve outlived them by five years whaaaaaat)
  • I love alan rickman, but let’s break this down. snape is the same age as lily and james and they died at twenty-one and ten years later harry comes to hogwarts. that makes snape thirty-one at the start of the first book. I love alan rickman, but he was in his late fifties when he did the movies
  • same with lupin and sirius: david thewlis and gary oldman were in their late forties and it showed
  • if sirius went to azkaban when he was twenty-one and got out when he was thirty-four, then he spent more than a third of his life in there
  • I think showing them in their thirties makes what they’ve gone through so much more poignant. it really gives the full picture of how young they were to be fighting voldemort and taking on that amount of responsibility
  • this is making me want the bbc or hbo to make a tv series and get everything right that the movies got wrong
ourdisneymemories:

figmentjedi:

And here is the smoking gun. Elastigirl went into retirement November 13th, 1955. Between that and the cape accidents in ‘57 and ‘58 as mentioned in the No Capes montage, that puts the Super Ban around there. The “present day” action of the Incredibles film, which is 15 years later, is around 1970.
The Incredibles is a period superhero story like Watchmen or The New Frontier.

thank god I finally know the year.I always knew it wasn’t present day but I wasn’t sure if it was the mid 60s or early 70s

ourdisneymemories:

figmentjedi:

And here is the smoking gun. Elastigirl went into retirement November 13th, 1955. Between that and the cape accidents in ‘57 and ‘58 as mentioned in the No Capes montage, that puts the Super Ban around there. The “present day” action of the Incredibles film, which is 15 years later, is around 1970.

The Incredibles is a period superhero story like Watchmen or The New Frontier.

thank god I finally know the year.
I always knew it wasn’t present day but I wasn’t sure if it was the mid 60s or early 70s

halfmeasured:

lilo and stitch: in 1 hr 25 min they show two sisters who have organic, natural fights that spring about from taking stress out on each other, taking grief out on each other, growing up too fast, loss, financial issues and issues with the law. show sisters overcome it with a scifi/fantasy element introduced in the series. sisters spend majority of movie together, their adventure is together and their love is proven through little acts throughout the entire series, even in how they deal with conflict, rather than spoonfed to the audience thru dramatic scenes and magic-induced conflict. dude love interest isn’t someone nani has barely known, he is a good supportive friend who takes an active role in caring for her sister.  nani does not in any way prioritize any crushy feelings for him over lilo or her own priorities in life and they also  never need to kiss or get a song together or have any overtly romantic stuff going on for people to see they’re special to each other.

frozen: I”’M SorRRY  i FUUCKked UP SO BAdd„ I’m TRSHASH.,.„  

(Source: cellulitisplayerhater)

isaia:

medievalpoc:

poc-creators:

Belle Director Amma Assante explains why she wanted to tell a Jane Austen Story with a Black Protagonist

Belle will be released in the US on May 2. 

Why did you decide to go the route of the Austenesque romance to tell her story?

In so many ways, it’s a romantic love story and it’s a paternal love story as well. It’s as much about her and [her surrogate father] Lord Mansfield, and also the fact that her biological father loved her as well.

It was much more practical in those days, if you had an illegitimate child of color, you could bring them into the household but had to keep them in the servant’s quarters, and have them work with servants where they’d be safe but wouldn’t be a full part of the family. The fact that her father decided that he didn’t want her to be brought up that way and brought her to his uncle [Lord Mansfield] and said, “Love her as I would had I been here,” was important to me.

When I did the research, it surprised me how many people had left Dido money in their will — Lord Mansfield left her money in his will [and] Lady Mary, Lord Mansfield’s sister, also left Dido in her will. The reality of it, then, was that so many people clearly [and] on paper showed their love for Dido that I thought it would have been disingenuous for me to tell a story purely about her suffering and a story that wasn’t about her love.

She had great love. That she married John Davinier, that she was able to baptize all of her children with him in the same church that they married in, I found that that was very romantic and beautiful.

I also wanted to understand, or communicate to the audience, what kind of men would love Dido during this period. Lord Mansfield, who adopted her, and also John [her husband] — what would make them so brave and so courageous enough to be able to love this woman of color during that period?

If I’m honest, I wanted to show a woman of color being loved. We don’t see it that often. I wanted to change the conversation a little bit, change the dialogue a little bit — we are loved, [and] we can be loved. Dido was valuable enough to be loved, she was worthy of being loved, and she was loved. Her challenge was showing people the right way to love her in the way that she needed to be. MORE

Belle Director Amma Asante on Challenging Stereotypes About Black Directors

Switching gears a bit, how did you make that transition from acting to directing?

I had been writing and producing for quite a while in British television. I wanted to circle my screenplays around some of the things that we’ve discussed — race, gender, and class — and I wasn’t sure that TV was the right place for me to do it.

I had written my first script, A Way of Life — which, thankfully, went on to do quite well critically, and won me a BAFTA and lots of other international awards — and I was very protective of it.

One day, one of my funders at the BFI called me in and said, “Hey. I know you would really like to produce this movie, and that’s all very well, but actually we’d love you to direct it.” I sort of shrunk back into the sofa and said, “No, no. That’s not something I can do. I’m a writer. What I do is write, and this is the best thing I’ve ever written to date, and I don’t want to be the person who ruins it by trying to direct it. This movie is my baby and I’m not going to kill it!”

They were very adamant and said, “Look. You’re not going to kill your movie. We’ll send you to film school for a month” — like a month of film school, what’s that? — “And we’re going to give you some money so that you can shoot a pilot of the movie. We want you do a couple of scenes so you get used to getting behind the camera then we want you to go off and make a movie.”

It took about a month to convince me, to get the courage to accept the offer. Off I went to film school and had one-to-one training with cinematographers, other directors, and editors — I literally had one to one time with all of the heads of department that you’ve have on a real movie, then I went off and shot a pilot. Then I thought, “Wow, I really like this.” Being able to create the characters and then see it through, it felt like, this is what I was born for. 

MORE

Awesome article on the upcoming film based on the life story of Dido Elizabeth Belle, a real noblewoman who lived in 1700s Scotland.

image

i’m so excited!!!

cherrywoodworks:

These are my extremely quick “fan” made designs for the upcoming Disney movie “Moana”.
Stop. There is a reason why “fan” is in quotations.
I am not a fan. I am full of dread. Disney is about to tackle a Polynesian princess and that terrifies me.
For one, I am so angry at all of the fanmade designs I have seen. The sexy stereotyped Polynesian designs that somehow condenses hundreds of different cultures into a tube top and a a ti-leaf skirt.
Do you have any idea how offensive that is. That would be like making Mulan and saying “Hey she’s Asian, let’s throw her in a yukata”. Do you know how offensive it is that people think that Polynesian is a singular race? Hint: Massively.
I picked four cultures out of the vastness of Polynesia and each design is clearly different from the next. Each design is 100% endemic to the culture it is from, and it’s not even the tip of the iceberg.
We are not a homogenized area of the world. We have different languages, traditions, and ways of life. We are not all the same. We are not coconut bras and grass skirts. We never needed compasses. We are celestial navigators - it hasn’t died out. We journeyed across the Pacific using the stars and waves to guide us. We perfected aquaculture and sustainable living. Our heritages are rich and varied and beautiful.
We are not a tube top and a ti-leaf skirt. We are not an indistinguishable fabric swathed on brown bodies with random flowers in our hair. Stop fetishizing us! You have the internet at your discretion, and this is the best you can come up with?
Secondly, the fact that Moana will be dealing with mythology in Polynesia makes me want to crumple up and cry. It angers me to no end that people keep playing fast and loose with things they think are obsolete. Most of us still believe in our Gods (myself included). My family has a heiau, as recent as one generation ago my family has stories of conversing with Gods. Yet, people act like it’s fair game. Last I checked if anyone made retcons to the undead carpenter millions threw a shitfit, but because we are a marginalized people our beliefs are not allowed some respect?
It makes me angry and I won’t apologize for it. It makes me angry that when I call out other minorities for falsely portraying or marginalizing my culture (and the cultures of my fellow Polynesians) I get the “well I’m a minority too so I’m excused”. That is the worst offense, when people who should know better still treat you like an obsolete toy to be bandied about as characters.
We are indigenous people and we deserve respect. We deserve for people to care about our culture. For people to be afraid that the nightmare which created whitewashed Pocahontas might happen to us. If you call yourself an ally, or self-aware, I demand that you fear for us. I beg that you question what may happen in the wake of what Disney has been spewing out. Don’t be part of the base that turns Moana into nothing more than a token.
We were too young to stop Pocahontas from being made. We are not too young to afflict a change and prevent it from happening again. Signal boost my words, or write your own. Do something. Don’t let a movie go out across the world that could damage those that have already taken heavy hits. Don’t be compliant, don’t be silent. Don’t DO that I beg you. I am begging you on my knees, I grovel to you.
Don’t condense our cultures to an easy stereotype. Don’t let our stories become distorted for entertainment. Fight for good writing, fight for good designs. Fight for a movie you would be proud to watch. Give us something more than a rebellious teen who is Polynesian simply because they say she is.
Please. Please. With all my heart, a’ohe hana nui ka alu’ia. No task is too big when done together.

cherrywoodworks:

These are my extremely quick “fan” made designs for the upcoming Disney movie “Moana”.

Stop. There is a reason why “fan” is in quotations.

I am not a fan. I am full of dread. Disney is about to tackle a Polynesian princess and that terrifies me.

For one, I am so angry at all of the fanmade designs I have seen. The sexy stereotyped Polynesian designs that somehow condenses hundreds of different cultures into a tube top and a a ti-leaf skirt.

Do you have any idea how offensive that is. That would be like making Mulan and saying “Hey she’s Asian, let’s throw her in a yukata”. Do you know how offensive it is that people think that Polynesian is a singular race? Hint: Massively.

I picked four cultures out of the vastness of Polynesia and each design is clearly different from the next. Each design is 100% endemic to the culture it is from, and it’s not even the tip of the iceberg.

We are not a homogenized area of the world. We have different languages, traditions, and ways of life. We are not all the same. We are not coconut bras and grass skirts. We never needed compasses. We are celestial navigators - it hasn’t died out. We journeyed across the Pacific using the stars and waves to guide us. We perfected aquaculture and sustainable living. Our heritages are rich and varied and beautiful.

We are not a tube top and a ti-leaf skirt. We are not an indistinguishable fabric swathed on brown bodies with random flowers in our hair. Stop fetishizing us! You have the internet at your discretion, and this is the best you can come up with?

Secondly, the fact that Moana will be dealing with mythology in Polynesia makes me want to crumple up and cry. It angers me to no end that people keep playing fast and loose with things they think are obsolete. Most of us still believe in our Gods (myself included). My family has a heiau, as recent as one generation ago my family has stories of conversing with Gods. Yet, people act like it’s fair game. Last I checked if anyone made retcons to the undead carpenter millions threw a shitfit, but because we are a marginalized people our beliefs are not allowed some respect?

It makes me angry and I won’t apologize for it. It makes me angry that when I call out other minorities for falsely portraying or marginalizing my culture (and the cultures of my fellow Polynesians) I get the “well I’m a minority too so I’m excused”. That is the worst offense, when people who should know better still treat you like an obsolete toy to be bandied about as characters.

We are indigenous people and we deserve respect. We deserve for people to care about our culture. For people to be afraid that the nightmare which created whitewashed Pocahontas might happen to us. If you call yourself an ally, or self-aware, I demand that you fear for us. I beg that you question what may happen in the wake of what Disney has been spewing out. Don’t be part of the base that turns Moana into nothing more than a token.

We were too young to stop Pocahontas from being made. We are not too young to afflict a change and prevent it from happening again. Signal boost my words, or write your own. Do something. Don’t let a movie go out across the world that could damage those that have already taken heavy hits. Don’t be compliant, don’t be silent. Don’t DO that I beg you. I am begging you on my knees, I grovel to you.

Don’t condense our cultures to an easy stereotype. Don’t let our stories become distorted for entertainment. Fight for good writing, fight for good designs. Fight for a movie you would be proud to watch. Give us something more than a rebellious teen who is Polynesian simply because they say she is.

Please. Please. With all my heart, a’ohe hana nui ka alu’ia. No task is too big when done together.

Princess Leia still waiting for the force to come her way

(Source: rivkat)

burdge:

oldmanravenwood:

a scene that really bothers me in HBP is when Ginny feeds Harry that pie thing and she is like “don’t you trust me?” and then just feeds it to him all nicely 

because I honestly believe that book!Ginny would have said “don’t you trust me?” and then she would proceed to shove the pie in his face and then say “your mistake!” and just like run away laughing her head off and Harry would just be sitting there with pie stuck to his face and a small grin thinking ‘wow this girl is perfect’

image

image

forgive me

(Source: gemdoyle)

galaxyspeaking:

Denise : a Supinfocom graduation movie, coming in 2014

Denise is the story of an obese young woman, going on a hiking trip to Easter Island. Despite her little ‘problem’ (she has trouble moving around, is easily exhausted, etc), she decides to walk through the island, and enjoy its beautiful landscapes and mysterious statues. Denise is a journey towards self acceptance and achievement.

Hey guys ! I realized recently that I kept telling you that I had a lot of work on my graduation project, but I never talked about it here on tumblr ! So here we are, Denise… I wrote the first script on my own almost 2 years ago, as well as the first concepts. Then, I had the chance to work with the best classmates I could ever wish for, so we’re now 6 working on Denise, co-directing it and trying to make the movie as beautiful and moving as possible !

So yeah, the original idea was by yours truly, and because of it, I’m the lead director, but I’m also in charge of all the visual developement and concepts annnd.. lead lighting artist.  Yup. total dictatorship going on here !

This movie will be done entirely in cg, with Autodesk Maya, but we’re trying to stick with the 2D look of the concepts I did ! And let me tell you it’s definitely a challenge >.< !