skunkandburningtires:

James Lopez is a veteran Disney animator (The Lion King, Pocahontas, Paperman) who is trying to raise funding for his primarily hand-drawn short film, Hullabaloo, with hopes of eventually finding a studio to fund a full-length version.

From the film’s IndieGo page:

Hullabaloo is the story of Veronica Daring, a brilliant young scientist who returns home from an elite finishing school to find her father—the eccentric inventor Jonathan Daring—missing without a trace! The only clue left behind points Veronica toward Daring Adventures, an abandoned amusement park used by her father to test his fantastical steam-powered inventions. There she discovers a strange girl named Jules, a fellow inventor who agrees to help Veronica in locating her missing father and discovering the secrets of his work.

In addition to helping save 2D animation, Hullabaloo aims to encourage girls to explore science and adventure. The film’s two protagonists are both young women and both scientists who use their intellect, wits, and courage to fight greed and corruption. We hope that Veronica Daring and her friend Jules will serve as positive role models for girls of all ages and encourage them to get excited about science, engineering, and sci-fi.

To see some footage and a short video pitch from Lopez, click here.

41,049 notes   •   September 01 2014, 07:22 PM   •   VIA   •   SOURCE
I really want to go see Dear White People, but I'm white and the only person who wants to go with me is white, but idk if it would be invading black people's spaces?

dorianthewellendowed:

madfromamyriad:

zeroswordsmaster:

reverseracism:

Go and see it. Bring your white friends

- Susie

bring ur most problematic white friends and stare uncomfortably into their eyes when something applies to them and smile like u know something they don’t.
For extra effect lean in and whisper to them “that’s you”

No seriously you are not being invasive you should actually purposefully go see this movie if you are white it’s called ‘Dear White People’ for a reason

DRAG THEM BY THE HAIR.

3,639 notes   •   August 31 2014, 09:16 AM   •   VIA   •   SOURCE

newwavefeminism:

newwavefeminism:

2brwngrls:

eshusplayground:

wise-barrel-maker:

Based on this list See Sources below for more info. View pictures fullscreen to see captions

30 Days 21 Hunger Games Argo Drive Pay it Forward Lone Ranger Fantastic 4

Lemme reblog again and let you know why casting that white woman as the female lead in “Drive” was so fucking wrong and fucked up.

Director Nicolas Winding Refn literally gave Carey Mulligan the part because she “seemed pure,” like someone he wanted to protect.

No, really. He literally said that shit.

These traits were ones he literally did not consider a Latina for. He picked her specifically because he fit that damsel in distress imagine that’s been coded as white. Latinas were not even given the opportunity to audition for the role.

AND SCENE

Let me post this again so people can see how we continuously allow (require?) movies to whitewash and erase POC out of media/our consciousness

and think about what messages children of color internalize over and over again because of this, and similar media choices

76,614 notes   •   August 29 2014, 04:54 PM   •   VIA   •   SOURCE
#white washing   #actors   #hollywood   #movies   #racism   

I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.s

30,182 notes   •   August 27 2014, 10:33 AM   •   VIA   •   SOURCE
In what way was Guardians sexist?

gingerhaze:

under the cut for spoilers and probably unpopular opinions

Read More

Every single Marvel Studios movie has centered around a presumably straight, white, male protagonist, even if white women (mostly love interests) and men of color (support roles) have played roles in the film. The franchise is a box office juggernaut and has a ton of movies on this list, but we’ve gotten two to three movies about each of the men on the Avengers and there’s yet to be a film about Black Widow. Both of Marvel’s ensemble films—The Avengers and Guardians of the Galaxy—trimmed down the superhero teams for their film adaptations, and the women characters, save for one, were the first to be cut. Most moviegoers will never know that women of color and LGBTQ characters were cut from Guardians of the Galaxy, but audiences will get to relate to the talking raccoon and the talking tree.

14,273 notes   •   August 09 2014, 10:43 PM   •   VIA   •   SOURCE
#Marvel   #movies   #Superheroes   

The basics are that for every one female-speaking character in family-rated films (G, PG and PG-13), there are roughly three male characters; that crowd and group scenes in these films — live-action and animated — contain only 17 percent female characters; and that the ratio of male-female characters has been exactly the same since 1946. Throw in the hypersexualization of many of the female characters that are there, even in G-rated movies, and their lack of occupations and aspirations and you get the picture.

It wasn’t the lack of female lead characters that first struck me about family films. We all know that’s been the case for ages, and we love when movies like The Hunger Games: Catching Fire and Frozen hit it big. It was the dearth of female characters in the worlds of the stories — the fact that the fictitious villages and jungles and kingdoms and interplanetary civilizations were nearly bereft of female population — that hit me over the head. This being the case, we are in effect enculturating kids from the very beginning to see women and girls as not taking up half of the space. Couldn’t it be that the percentage of women in leadership positions in many areas of society — Congress, law partners, Fortune 500 board members, military officers, tenured professors and many more — stall out at around 17 percent because that’s the ratio we’ve come to see as the norm?

OK, now for the fun part: It’s easy, fast and fun to add female characters, in two simple steps. And I want to be clear I’m not talking about creating more movies with a female lead. If you do, God bless and thank you. Please consider me for that role.

Step 1: Go through the projects you’re already working on and change a bunch of the characters’ first names to women’s names. With one stroke you’ve created some colorful unstereotypical female characters that might turn out to be even more interesting now that they’ve had a gender switch. What if the plumber or pilot or construction foreman is a woman? What if the taxi driver or the scheming politician is a woman? What if both police officers that arrive on the scene are women — and it’s not a big deal?

Step 2: When describing a crowd scene, write in the script, “A crowd gathers, which is half female.” That may seem weird, but I promise you, somehow or other on the set that day the crowd will turn out to be 17 percent female otherwise. Maybe first ADs think women don’t gather, I don’t know.

And there you have it. You have just quickly and easily boosted the female presence in your project without changing a line of dialogue.

Yes, we can and will work to tell more women’s stories, listen to more women’s voices and write richer female characters and to fix the 5-to-1 ratio of men/women behind the camera. But consider this: In all of the sectors of society that still have a huge gender disparity, how long will it take to correct that? You can’t snap your fingers and suddenly half of Congress is women. But there’s one category where the underrepresentation of women can be fixed tomorrow: onscreen. In the time it takes to make a movie or create a television show, we can change what the future looks like.

There are woefully few women CEOs in the world, but there can be lots of them in films. We haven’t had a woman president yet, but we have on TV. (Full disclosure: One of them was me.) How can we fix the problem of corporate boards being so unequal without quotas? Well, they can be half women instantly, onscreen. How do we encourage a lot more girls to pursue science, technology and engineering careers? By casting droves of women in STEM jobs today in movies and on TV. Hey, it would take me many years to become a real nuclear physicist, but I can play one tomorrow.

Here’s what I always say: If they can see it, they can be it.

 - Geena Davis on gender equality in film and television [x] (via wesleywalesandersons)
12,174 notes   •   August 07 2014, 03:38 PM   •   VIA   •   SOURCE

hermanngottliebs:

recently a lot of gifsets of wanda maximoff in the ca:tws post-credit scene have popped up (example) and i’d like to request that people tag such gifsets with ableism cw so i and other neurodiverse people who are upset by her portrayal can tumblr savior it.

infantilising mentally ill people, portraying them as childlike and mindless (playing with building blocks, the glassy eyes), while at the same time depicting them as dangerous and destructive and unable to control themselves, those kinds of portrayals are incredible harmful to mentally ill people, especially those of us who are already unfairly stigmatised as violent or childlike (such as people with psychosis, schizophrenia, autism, etc).

it’s very upsetting to see us reduced to stereotypes and dehumanized in this way and i really don’t want to have to tumblr savior the name of one of my favourite comic characters to be able to escape the mcu’s bastardisation of her.

tagging any and all gifsets, edits, stills, etc from this scene with ableism cw takes merely a few seconds and would be immensely helpful, so please take it into consideration. thanks.

234 notes   •   August 07 2014, 02:22 PM   •   VIA   •   SOURCE
#Marvel   #movies   #signal boost   #ableism   

dorianthewellendowed:

marvelwomenofcolor:

aliluveya:

Marvel took two Jewish-Romani characters and made them volunteer for experimentation by Nazi scientists

That’s it. There’s no justifying or excuses or story work arounds to be had. It doesn’t matter they aren’t Magneto’s children in the MCU. It doesn’t matter that they aren’t mutants. It doesn’t matter what reasons Agents of SHIELD or Cap 2 or Avengers 2 gives to try and distance Hydra from the Nazi party. It doesn’t matter what Pietro and Wanda Maximoff say or do in Age of Ultron.

Marvel made Jewish-Roman characters agree to be experimented on by Nazi scientists

That is an insult to every Jewish or Romani writer to ever work on a Marvel book, to every Jewish or Romani fan of comics who saw themselves in the Maximoffs, to every single survivor’s memory who walked away from the Holocaust to then have popular culture throw that narrative back at them and implicate the victim in the perpetrator’s scheme

I don’t even want to hear what excuses you or Marvel have to justify it

NOOOOOOOOOOOOOOOOOOOOOOOOO!!! Please tell me that this is lies :.(

no lies, both aaron and elizabeth confirmed they volunteered, and aaron also used the g slur to identify the maximoffs

1,522 notes   •   August 06 2014, 06:41 PM   •   VIA   •   SOURCE

Okay, okay, I’m going to tell you what Hermione sees in Ron.

A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.

So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.

“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.

When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.

So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.

In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.

So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.

Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?

[John: Because we need to market the movie to girls.]

I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.

Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?

She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.

Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.

 - Melissa Anelli THROWS IT DOWN about the way Ron and Hermione have been adapted in the movies on the latest episode of PotterCast. Listen here. This glorious rant starts at about 49:00.  (via giidas)
93,038 notes   •   August 06 2014, 06:11 PM   •   VIA   •   SOURCE

clearssong:

145,691 notes   •   August 03 2014, 01:06 PM   •   VIA   •   SOURCE
#gif   #humor   #anastasia   #fave   #movies   

barnvs:

skip the ant-man movie make the black widow movie or better yet make a black widow trilogy who the fuck wants ant-man when you could have natasha fucking romanoff come on

2,631 notes   •   August 02 2014, 08:44 PM   •   VIA   •   SOURCE
honestly curious, why does it offend you?

alexsummres:

i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism. 

all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out. 

here’s 2 of my favourite scenes from the trailer: 

image

from top to left to right:

KEEP CLEAN 保持清潔,APPLE 蘋果,ONION 洋蔥,GRAPE 葡萄,CHAIR 椅子 EDIT: sorry it says ORANGE 橘子,TOMATO 番茄

traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.

it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.” 

image

lucy shoots a guy for not being able to speak english. 

she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english. 

just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries. 

let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.

this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day. 

if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?

i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay. 

i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media. 

as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world. 

feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality. 

44,556 notes   •   July 31 2014, 09:16 AM   •   VIA   •   SOURCE
#Lucy   #movies   #guns   #violence   #racism   #gif   #feminism   #white feminism TM   

missmollypond:

GUYS GUYS GUYS

GUARDIANS OF THE GALAXY WAS LITERALLY WRITTEN BY A FEMALE ROCKET SCIENTIST

SHE’S THE FIRST WOMAN TO EVER WRITE A MARVEL MOVIE

WHY IS THIS NOT GETTING TALKED ABOUT

But the script was then given to this homophobic, misogynistic piece of trash who rewrote it and directed it.

Also, where does it say she is a rocket scientist?

80,203 notes   •   July 30 2014, 04:42 PM   •   VIA   •   SOURCE

tamorapierce:

il-tenore-regina:

princeburrito:

anothercleverjedimindtrick:

shehateme:

theseraphimwolf:

Serendipity saying it how it is

(Dogma, 1999)

Always reblog Dogma.

Another movie everyone must watch.

This movie is so fucking underrated. Everyone needs to watch this movie at least once or twice in their life.

Always time for Dogma!

Matt Damon and Ben Affleck as homicidal angels.  Alan Rickman as a messenger angel, I think.  I need to watch it again!  The best Jay and Silent Bob.

62,580 notes   •   July 24 2014, 08:44 PM   •   VIA   •   SOURCE
#movies   #Dogma   #to watch:   #Christianity